ARTICLES
Alina Payne, Renaissance in the Balkans? Neagoe Basarab and the Monastery Church at Curtea de Arges, circa 1512–1517, p. 1
Denva Gallant, The Monastic in the Dynastic: King Robert of Anjou and Morgan Library and Museum MS M.626, p. 35
Kate Driscoll, Curse, Growl, Hiss, Wail: The Limits of Language in Ariosto’s Rodomonte, p. 61
Javier Patiño Loira, The Ingenuity of Fireflies: Conceits and Natural Philosophy in Seventeenth-Century Italy, p. 89
José Riello, Challenging the Concept of Naturalism between the Sixteenth and Seventeenth Centuries: Annibale Carracci and El Greco as Readers of Vasari’s Vite, p. 111
Erith Jaffe-Berg, Costumes and Repurposing Fabrics across Religious and Theatrical Boundaries in Early Modern Mantua, p. 131

Alexander Nagel, Editor’s note, p. 1

Felipe Pereda, Shawon Kinew, Prefatory Note, p. 173

ARTICLES
Miguel Falomir, Titian, Philip II, and the Poesie: The Artist, the Patron, the Paintings, p. 179
Leonard Barkan, Titian the Poet, p. 203
Maria H. Loh, An Ode to Titian’s Thick Paintings, p. 225
Nathaniel Silver, Gianfranco Pocobene, Titian in Boston, p. 237
Stephen J. Campbell, The Poesie and Their Legacy: Tintoretto, Carracci, and Tasso’s Poetics, p. 257
Jodi Cranston, Animal Sightings in the Poesie, p. 279
Aneta Georgievska-Shine, Recognitions and Their Echoes in Titian’s Poesie, p. 297
Christine Göttler, The Marine Venus and Rubens’s Saltcellar: Artists’ Conversations in Antwerp, circa 1628, p. 319
Jennifer Nelson, The Thick and Thin Poesie and Paintings of Titian and Cranach, p. 347
Felipe Pereda, “Consumed by Either Fire or Fire”: Venus in the Mirror of Velázquez, p. 371
Jeremy Melius, Titian, Metaphor, and the Body, p. 397
Shawon Kinew, Open Sky, Open Water, Open to Pity and Fear: Titian’s Rape of Europa, p. 421

EDITOR’S NOTE
Alexander Nagel, Editor’s note, p. 1

ARTICLES
Christopher S. Wood, The Whisperers: Invidious Perspectives in Trecento Painting, p. 3
Estelle Lingo, Caravaggio, Alberti, and Narcissan Disegno, p. 35
Alani Hicks-Bartlett, On the Gaze and “gl’idoli altrui”: Vision and Loss in Tasso’s Gerusalemme liberata, p. 63
James K. Coleman, Islands in Flux: Migration and Ecological Change in Early Modern Isolari (Books of Islands), p. 91
Sefy Hendler, Cellini's Dog, p. 109
Stephanie Azzarello, Parchment, Gilding, and God: Gold Leaf and Divine Connection in a Camaldolese Choir Book, p. 145

Jane Tylus, Editor’s note, p. 219

ARTICLES
Andrew Hui, Things in the Decameron: How Objects Become Secular, p. 225
Deborah Pellegrino, Keeping Track of the Household: Accounting the Exceptional Spousal Collaboration between Margherita and Francesco Datini, p. 251
Katalin Prajda, Mercanti come tramite degli scambi culturali nella Firenze del primo Rinascimento: Il caso del Regno d’Ungheria, p. 279
Laura Ingallinella, Marquis of Pietraperzia, Bloodstained Books in Renaissance Sicily: The Library of Matteo Barresi, p. 309
Sanne Wellen, “Ricco di tanto ardire”: A Contextual Study of Agnolo Bronzino’s Portrait of Lodovico Capponi, p. 339
Rafael Japón, Per la “perfezione, ornamento et bellezza” della cappella Salviati di Giambologna nella Basilica di San Marco a Firenze: La distruzione della cappella Martini e il disegno per il nuovo altare, p. 369
Victoria Addona, Jerusalem Delivered to Italy: Moving the Holy Sepulcher across the Mediterranean, p. 399

Jane Tylus, Editor’s note, p. 1

ARTICLES
Henrike Christiane Lange, Giotto’s Triumph: The Arena Chapel and the Metaphysics of Ancient Roman Triumphal Arches, p. 5
Roberto Nicosia, “Non si deve portare un anello stretto al dito”: L’orazione Pro litteris greci di Pietro Bembo e la questione della lingua, p. 39
Paola Ugolini, “Il poter dir”: Sincerity, Truth, and Faithfulness in Orlando furioso 37, p. 69
Edward H. Wouk, Dominicus Lampsonius, Giorgio Vasari, and the Print as Work of Art, p. 89
Guido Rebecchini, Dynastic Conflicts and European Politics in the Transmission of the Medici Inheritance, p. 133
Fernanda Marinho, Primitivismo e francofilia nella critica di Lionello Venturi, p. 167
Teresa Kittler, Jam Sessions: Celant and Battisti, Modern and Early Modern Connections, p. 193

Jane Tylus, Editor’s Note, p. 217

PROXIMITIES/IMMOBILITIES
Brittany Asaro, An Inside View: Gendered Perspectives on Freedom in Decameron 7.5, p. 223
Jennifer McFarland, Ties That Unbind: Proximities, Pizzochere, and Women’s Social Options in Early Modern Venice, p. 241
Jane Stevens Crawshaw, A Sense of Time: Experiencing Plague and Quarantine in Early Modern Italy, p. 269
Miles Pattenden, Papal Rome in Lockdown: Proximities, Temporalities, and Emotions during the Im/mobility of the Conclave, p. 291
Mahnaz Yousefzadeh, Judeo-Persian-Tobit and G.B. Vecchietti: Exile and Writing between Florence and the Persianate World, p. 311

ARTICLES
Nirit Ben-Aryeh Debby, Bride, Court Lady, Oriental Princess, Virgin Mary, Jewess: The Many Faces of Queen Esther in Early Modern Florence, p. 345
Selene Maria Vatteroni, Letture "spirituali" di Petrarca all’Accademia Fiorentina, p. 377
Deborah Parker, Ovidian Influences and Figural Obsessions in Michelangelo’s Fall of Phaethon Drawings, p. 401

Jane Tylus, Editor’s note, p. 1

ARTICLES
Ronald L. Martinez, The Oblique Glance of the Muse: Invidious Rivalry, Culture Wars, and Disputed Epic Authority in Petrarch’s Africa, p. 7
Valeria Finucci, A Royal Accident: Medical Authority and Political Dynamics in 1559, p. 41
Suzanne B. Butters, Disorders at the Grand Duke’s Shrine of Santissima Annunziata, p. 67
Francesco Brenna, The Role of Music in Tasso’s Reflections on the Value of Poetry, p. 101
Alessia Bellusci, Jewish Magic in the Syncretic Renaissance: Baking a Pizza for the Bogeyman, p. 125
Filippo Petricca, The Vanishing of Angelica: Ariosto, Cervantes, and the Economy of Gratitude, p. 161
Eileen Reeves, And Now You Don’t, p. 191